DAN 252 - Special Topics:History, Memory, Performance, Place

What racist and exclusionary legacies on campus must we still contend with? How might both the practice and theory of performance help us understand the unfinished business of history- “the endings that are not over,” as sociologist Avery Gordon puts it? What are some ways to get at memories not captured by traditional documentary methods? How can we pursue an ethnography of a place, through performance? And in what ways can performance create new memories for our collective reckoning with the past and present, ultimately building toward other futures?

“History, Memory, Performance, Place” is a community-oriented practice-based course premised on these questions, aligned with the Justice, Equality, Community initiative. Students will explore submerged histories in Davidson’s archives as well as local historical sites, and ultimately devise creative projects to share their research findings with different publics. Throughout the semester, we will conduct archival and site-specific research, engage in performance ethnography, think critically about the production of history, consider Black Studies and Performance Studies perspectives on the archive, and develop skills in expressing ourselves through movement and creative modes. Course time will be divided between reading and discussions in the classroom, embodied practices and creation in the studio, guest artist visits, the Davidson College Special Collections and local sites of interest. We meet for longer class sessions to accommodate these varied forms of learning and engagement. 

Satisfies Africana Studies major requirement.
Satisfies Anthropology major and minor requirement.
Satisfies Dance Studies minor requirement.
Satisfies History major and minor requirement.
Satisfies the Justice, Equality, and Community requirement.