May 08, 2024  
2011-2012 
    
2011-2012 [ARCHIVED CATALOG]

• Course Descriptions


 

Sociology

  
  • SOC 329 - White Collar Crime


    Instructor
    Ruth

    Analysis of social, ethical, and legal aspects of white-collar crime, perspectives and theories on causation, and consequences of variable social reactions. Ways in which societies attempt to investigate, adjudicate, and regulate this evolving phenomenon.

    Prerequisites & Notes
    Provides a distribution credit in the social sciences and major credit in Sociology.

  
  • SOC 330 - Sociology of Education (=EDU 330)


    Instructor
    Kelly

    An introduction to the sociological study of education in the United States, including an examination of the school as an organization within a larger environment. Explores the link between schools and social stratification by analyzing the mutually generative functions of schools and considers how processes within schools can lead to different outcomes for stakeholders.

    Prerequisites & Notes
    Provides a distribution credit in the social sciences. Counts toward the Education Concentration.

  
  • SOC 340 - Education in African American Society (=EDU 340)


    Instructor
    Kelly

    This seminar explores the social and historical forces shaping the education of people of African descent in the United States from slavery to the 21st century. We will examine values, beliefs, and perspectives on education across gender and class lines, individual and group efforts toward building educational institutions and organizations, hidden or forgotten educational initiatives and programming, and cross-cultural projects to promote literacy and achievement in African-American society.

    Prerequisites & Notes
    Provides a distribution credit in the social sciences.   Counts toward thecultural diversity requirement, Education Concentration and Ethnic Studies Concentration.

  
  • SOC 360 - Medical Sociology


    Instructor
    Ruth

    Sociological factors of health and illness, social organization of modern medicine, sociological analysis of the role and status of medical and paramedical personnel in this country, and the social differences in the acquisition of medical aid and in the reaction to medical treatment.

    Prerequisites & Notes
    Provides a distribution credit in the social sciences. Counts toward the Medical Humanities Concentration.

  
  • SOC 370 - Theory in Sociology


    Instructor
    Marti

    This course provides an introduction to the central issues in sociological theory.  We will draw from both the “classical” period as well as the major “contemporary” developments of sociology through an examining major figures and ideas of sociological theory in their historical context.

    Prerequisites & Notes
    Provides a distribution credit in the Social Sciences.

  
  • SOC 372 - Feminist Theories


    Instructor
    Taft

    Introduces students to key concepts and debates within feminist social theory.  Explores the significance of gender within social life, how gender is produced at the individual and institutional levels , as well as feminist conceptualizations of ‘the good society.’ Addresses key questions of social theory including the relationship between individuals and social structures, the construction of identities, and the meaning of power.  Major credit in Sociology, Gender Studies Concentration, Social Science Distribution requirement.
     

  
  • SOC 380 - Sociology of Hollywood


    Instructor 
    Marti

    Hollywood is more than geography; it is a vibrant, international network of people producing entertainment for fame and profit.  This seminar pursues a sociological analysis of the social space called “Hollywood”: its genesis, operation, and influence.  The class begins with an exploration of the construction of Hollywood itself (e.g., geographic beginnings, the studio system, industry occupations, and financial realities) and then considers the broader effects of the entertainment industry on contemporary American society (e.g., relations with governmental and religious institutions, structures in film production and distribution, and the interrelationship of the entertainment industry and popular culture).

    Prerequisites & Notes
    Not open to first year students.

  
  • SOC 381 - Gender & Globalization


    Instructor 
    Taft

    Explores the gendered effects of contemporary processes of globalization. Focusing primarily on women’s lives, we’ll look at how cultural, political, and economic globalizations are changing the landscape of gender relations. Students will become familiar with many of the current issues and debates in the transnational gender research, including the implications of economic development/modernization, neoliberalism, militarization, and population control agendas. Also examines work and labor, transnational families and care work, sexuality across borders, and struggles for human rights.

     

    Prerequisites & Notes
    Not open to first year students.

  
  • SOC 382 - Men and Masculinity


    Instructor 
    Kaufman

    This course explores how masculinity is constructed and how men are affected by these constructions. We consider whether constructions of masculinity differ by important social characteristics, such as age, race/ethnicity, class, and sexual orientation. We also pay attention to the social context (e.g., schools, home, neighborhoods, workplaces, athletic venues) in which masculinity is created and maintained.  We will address issues such as: the evolution of manhood; sexuality and adolescent masculinity; poverty, mobility, and black masculinity; street life and violence; fatherhood politics; masculinity and sports media.

    Prerequisites & Notes
    Not open to first year students.

  
  • SOC 385 - Youth Cultures and Subcultures


    Instructor
    Taft

    This seminar explores youth as both objects and subjects of cultural production, addressing the various ways that young people consume, produce, and live in their cultures. In addition to learning about the meaning and significance of historic and contemporary youth cultural formations and subcultural groups, students will conduct extensive independent research projects, practicing several different sociological methods including ethnographic observation, in-depth interviewing, and discourse and content analysis.

  
  • SOC 388 - Fatherhood


    Instructor
    Kaufman

    This seminar focuses on the social, cultural, and historical study of fatherhood.  We start by breaking down stereotypes of fathers from the past and using this to reconsider modern fathers. As we consider current American society (mainly), we start with young men’s procreative consciousness (ideas and awareness about conception, pregnancy, abortion, and potential fatherhood). We consider fathers as gendered beings asking questions such as, can men mother? We discuss the experiences of stay-at-home fathers, gay fathers, stepfathers, and single fathers. Finally, we consider fathers’ rights movements.

  
  • SOC 390 - Qualitative Research Methods


    Instructor
    Taft

    This class provides students with training in qualitative field research methods, with an emphasis on participant observation and in-depth interviewing. Students will conduct their own semester-long empirical research projects, going through the entire process of research design, data collection, coding, analysis, and writing. Readings and class sessions will focus on both theoretical foundations and techniques of interpretive, qualitative research. One of the best ways to develop research skills is to get out there and try it, to reflect on the process as you go, and to talk about what is working and not working for you with a group of colleagues and peers. Therefore, students will have extensive opportunities to reflect on their own research practices, learning by doing.

  
  • SOC 391 - Survey Methodology


    Instructor
    Kaufman

    This course introduces students to survey research methods.  Sociology is based on empirical data.  Sociologists are trained to collect data in order to answer questions.  One of the most commonly used forms of data collection within sociology is the survey.  In this course, students will gain experience in designing a survey, sampling, administering a survey, and analyzing survey data.  Major credit in Sociology.

  
  • SOC 395 or 495 - Independent Research in Sociology


    Instructor
    Staff

    Independent research under the direction of a faculty member who reviews and approves the topic(s) of the research and determines the means of evaluation. Students who are interested in writing a thesis should sign up for Soc 495.

    Prerequisites & Notes
    Second, third, or fourth year standing, two courses in sociology, and permission of the instructor.

  
  • SOC 410-419 - Advanced Seminars in Sociology


    Instructor
    Staff

    Topics announced in advance.

    Prerequisites & Notes
    Third or fourth year standing and permission of the instructor.

  
  • SOC 420 - Issues in Contemporary Terrorism


    Instructor 
    Ruth

    A seminar exploring a diverse array of issues in contemporary terrorism, beginning with the conceptualization and essential background of terrorism.  Topical areas include the role of religion and ideology in domestic, international and ethnic terrorism; terrorism and the media; civil liberties and civil rights; counter-terrorism; policy, technology and the future of terrorism; homeland security and responding to the tragedy of September 11.

    Prerequisites & Notes
    Third or fourth year standing and permission of the instructor.

  
  • SOC 430 - Race and Religious Faith


    Instructor 
    Marti

    The seminar focuses on the historic Black Church in America as well as religion and migration among non-native, ethnic congregations (whether church, temple, or mosque) in order to examine the relations between race-ethnicity, religion, and broader civic society today. The course also examines the rare achievement of multi-ethnic/multi-racial religious communities. The broader and complex effects of politics and globalization, economics and financial pressures, citizenship and public life, prejudice and discrimination, media and technology, innovations and social change will be discussed throughout the course.

    Prerequisites & Notes
    Third or fourth year standing and permission of the instructor. Counts toward the cultural diversity requirement.


South Asian Studies

  
  • SOU 310 - India: Past and Present


    Instructor
    Staff

    Specially designed lecture course dealing with Indian cultural traditions and their current expressions in Indian philosophy; art; religious movements; and political, social, and economic systems. Offered as part of the Semester-in-India program.

    Prerequisites & Notes
    Offered as part of the Semester-in-India Program. Satisfies the cultural diversity requirement.

  
  • SOU 354 - Issues in Contemporary India


    Instructor
    Staff

    Lectures and field trips focusing on some of the pressing problems faced by contemporary India and institutions which address those problems.  Topics include the environment, the status of women, implications of the population explosion, economic conditions, and the political process. 

    Prerequisites & Notes
    Offered as part of the Semester-in-India program. Satisfies the cultural diversity requirement.

  
  • SOU 385 - Public Health in India


    Instructor
    Staff

    A series of lectures on various aspects of public health in India delivered by scholars and medical professionals. Field trips relating to the lectures will be part of this course.

    Prerequisites & Notes
    Offered as part of the Semester-in-India program. Satisfies the cultural diversity requirement.

  
  • SOU 396-399 - Independent Study


    Instructor
    Staff

    Study under the supervision of the Program Director who approves the topic of study. Paper required.

    Prerequisites & Notes
    Permission of the instructor is required.


Spanish

  
  • SPA 101 - Elementary Spanish I


    Instructor
    Staff

    An introduction to speaking, understanding, reading, and writing Spanish. Requires attendance to Assistant Teacher sessions twice a week and online work through the Language Resource Center.

  
  • SPA 102 - Elementary Spanish II


    Instructor
    Staff

    Development of further skills in speaking, understanding, reading and writing Spanish through a review of grammar and readings in the literature and culture of Spain and/or Latin America. Requires attendance to Assistant Teacher sessions twice a week and online work through the Language Resource Center.

    Prerequisites & Notes
    Spanish 101 or its equivalent.

  
  • SPA 103 - Intensive Elementary Spanish (2 credits)


    Instructor
    Staff

    Intensive introductory course equivalent to Spanish 101 and 102. Meets six class-hours per week plus four hours weekly with an Assistant teacher. Completes two semesters of Spanish in one semester. Counts as two courses.

  
  • SPA 201 - Intermediate Spanish


    Instructor
    Staff

    Extensive reading and discussion in Spanish of texts of moderate difficulty in the culture and literature of Spain, Latin America and US Latino literature; grammar study; extensive conversation practice. A combination among conversation sessions, online work through the Language Resource Center, and service learning may be required. Meets the degree requirement for proficiency in foreign language.

    Prerequisites & Notes
    Spanish 102 or its equivalent.

  
  • SPA 203 - Advanced Intermediate Spanish Abroad


    Instructor
    Staff

    (Summer in Spain Program) Extensive reading, writing, and discussion of Spanish texts, grammar study, and intensive conversation practice.  Immersion course abroad meets the degree requirement for proficiency in foreign language at Davidson.

    Prerequisites & Notes
    Spanish 102 or Spanish 103 and concurrent enrollment in Spanish 272.

  
  • SPA 219 - Independent Study: Language and Linguistics


    Instructor
    Staff

    Study under the direction and supervision of a faculty member who approves the topic(s) and determines the means of evaluation.

  
  • SPA 241 - Latin American Literature in Translation


    Instructor
    Staff

    Selected works of Latin American literature in English translation. Readings and class discussions are in English.

    Prerequisites & Notes
    Satisfies the cultural diversity requirement.

  
  • SPA 244 - U.S. Latino Literature in English


    Instructor
    González

    Reading and discussion of a variety of texts to develop a general idea of the complex experience of people of Latin American background living in the United States. Readings and instruction in English. 

    Prerequisites & Notes
    Satisfies the cultural diversity requirement.

  
  • SPA 260 - Conversation and Composition


    Instructor
    Staff

    Writing-intensive course in Spanish. Training and practice to develop fluency, accuracy, and expressiveness in oral and written communication. Requires conversation session with an Assistant Teacher once a week. Strongly recommended for students planning to study abroad.
    The department suggests that this course be taken before 270. 

    Prerequisites & Notes
    Spanish 201 or its equivalent. (Fall and Spring)

  
  • SPA 270 - Introduction to Hispanic Literatures and Cultures


    Instructor
    Staff

    Reading and discussion of works by Spanish, Latino and Latin American writers. Introduction to cultural, historical, and textual analysis of Hispanic literature’s and cultures.  Research papers in the target language. Conducted in Spanish.

    Prerequisites & Notes
    Spanish 260 or its equivalent. Satisfies the cultural diversity requirement. (Fall and Spring)

  
  • SPA 272 - Intermediate Seminar in Spanish Cultures


    (Summer in Spain) An introductory cultural course examining Spanish contemporary culture through film, literature, music, and other artistic modes of expression.

    Prerequisites & Notes
    Spanish 102, or Spanish 103 and concurrent enrollment in Spanish 203.

  
  • SPA 302 - Advanced Grammar


    Instructor
    Staff

    Problems in Spanish grammar and idiom-building, particularly those faced by English-speaking people; problems of translation; an overview of Spanish phonetics; and a brief study of the evolution of the Spanish language. Conducted in Spanish.

    Prerequisites & Notes
    Spanish 260 or its equivalent.

  
  • SPA 303 - Advanced Grammar, Translation and Composition


    Instructor
    Staff

    Writing-intensive course.  Review, expansion, and fine-tuning of grammatical knowledge; building and use of a growing body of vocabulary and idiomatic expressions.

    Prerequisites & Notes
    Spanish 260 or its equivalent.

  
  • SPA 320 - Spanish Literature Through the Golden Age


    Instructors
    Sánchez-Sánchez, Willis

    Major works from medieval times through the seventeenth century, studied against a background of historical developments and literary currents. Conducted in Spanish.

    Prerequisites & Notes
    Spanish 260 and 270 or their equivalents. (Fall)

  
  • SPA 321 - Theater of Spain’s Golden Age


    Instructors
    Sánchez-Sánchez, Willis

    Development of 16th and 17th century Spanish theater, including works by Lope de Vega, Cervantes, Tirso de Molina, Ruiz de Alarcón, and Calderón de la Barca. Conducted in Spanish.

    Prerequisites & Notes
    Spanish 260 and 270 or their equivalents.

  
  • SPA 322 - Cervantes


    Instructor
    Willis

    Advanced study of Don Quixote and the literary criticism it has generated. Other works by Cervantes may be included. Conducted in Spanish.

    Prerequisites & Notes
    Spanish 260 and 270 or their equivalents.

  
  • SPA 329 - Independent Study: Spanish Literature prior to 1700


    Instructor
    Staff

    Independent study under the direction and supervision of a faculty member who approves the course content, and the research project, and determines the means of evaluation.

  
  • SPA 330 - Modern Spain


    Instructors
    Kietrys, Vásquez

    Thematic introduction to the culture, literature, and fine arts of Spain since 1700. Conducted in Spanish.

    Prerequisites & Notes
    Spanish 260 and 270 or their equivalents.

  
  • SPA 331 - Twentieth and Twenty-first Century Spain


    Instructors
    Kietrys, Vásquez

    Writers of the early decades, the Generation of 1927 and the Spanish Civil War, the Franco and democratic years, into the 1980s, 1990s, and the new century films.  Study and analysis of socio-historical, ideological, and cultural contexts. Conducted in Spanish.

    Prerequisites & Notes
    Spanish 260 and 270 or their equivalents.

  
  • SPA 339 - Independent Study: Spanish Literature since 1700


     

    Instructor
    Staff

    Independent study under the direction and supervision of a faculty member who approves the course content, and the research project, and determines the means of evaluation.

    Prerequisites & Notes
    Spanish 260 and 270 or their equivalents.

  
  • SPA 340 - Latin American Literature I


    Instructor
    Boyer
    Literature and the arts against a background of history and socio-political developments from 1492 to 1900, with a focus on major currents of thought and world views. Conducted in Spanish.

    Prerequisites & Notes
    Spanish 260 and 270 or their equivalents. Satisfies the cultural diversity requirement. (Fall and Spring)

  
  • SPA 341 - Latin American Literature II


    Instructors
    Maiz-Peña, Peña

    Ideas, aesthetics, and theoretical interpretations that have shaped Modern Latin American literatures and other cultural expressions from 1900 to the present. Conducted in Spanish.

    Prerequisites & Notes
    Spanish 260 and 270 or their equivalents. Satisfies the cultural diversity requirement. (Spring)

  
  • SPA 343 - Contemporary Latin American Novel


    Instructors
    Maiz-Peña, Peña

    Most important literary works of major contemporary writers from Latin America studied against a background of recent history and relevant ideologies and Theoretical interpretations. Conducted in Spanish.

    Prerequisites & Notes
    Spanish 260 and 270 or their equivalents.

  
  • SPA 344 - Latino Culture in the U.S.


    Instructor
    González

    Study of the development of a distinctive Latino culture in the United States; Latino culture as a form of dialogue between the United States and Latin America. Conducted in Spanish.

    Prerequisites & Notes
    Spanish 260 or 270 or their equivalents. Satisfies the cultural diversity requirement.

  
  • SPA 346 - Latin American Theatre


    Instructor
    Staff

    Study of the most important Latin American playwrights, plays and performances within the ideologies and aesthetics that have shaped contemporary Latin American theatre. Conducted in Spanish.

    Prerequisites & Notes
    Spanish 260 and 270 or their equivalents. Satisfies the cultural diversity requirement.

  
  • SPA 347 - Hispanic Theatre and Performance


    Instructor
    Staff

    The course expands the communicative, interpretive, and analytical Spanish language skills of the students by using the most recent studies about contemporary Hispanic theatre theories and practices. Conducted in Spanish.

    Prerequisites & Notes
    Spanish 260 and 270 or their equivalents.

  
  • SPA 349 - Latin American Literature - Independent Study


    Instructor
    Staff

    Study under the direction and supervision of a faculty member who approves the course content, and the research project, and determines the means of evaluation.

  
  • SPA 350 - García Lorca and His Generation


    Instructor
    Vásquez

    Theatre, narrative, and poetry of García Lorca’s literary and intellectual generation in its pre-Civil War and exile years. Conducted in Spanish.

    Prerequisites & Notes
    Spanish 260 and 270 or their equivalents.

  
  • SPA 352 - Contemporary Latin American Cinema


    Instructor
    Peña 

    Exploration of the cinema and film making traditions of Latin America since the 1950’s with specific attention to the aesthetic media, political debates, and histories of national film industries.  Conducted in Spanish.

    Prerequisites & Notes
    Spanish 260 or 270 or their equivalents. Satisfies the cultural diversity requirement.

  
  • SPA 353 - Contemporary Spanish Film


    Instructor
    Vásquez

    Spanish film from the 1960s through the 1990s and into the new century, focusing on exiles from Republican Spain after the Spanish Civil War and on Spain’s national identity during the years of democracy until contemporary times. Conducted in Spanish.

    Prerequisites & Notes
    Spanish 260 and 270 or their equivalents.

  
  • SPA 354 - Dying of Love in Medieval Spain


    Instructor
    Sánchez-Sánchez

    Literary representations of love and death during the Spanish Middle Ages, with special emphasis on the 15th century sentimental novel.  Interdisciplinary theoretical approaches.  Conducted in Spanish.

    Prerequisites & Notes
    Spanish 260 and 270 or their equivalents.

  
  • SPA 355-359 - Seminar on Special Topics


    Instructor
    Staff

    An area in literature or culture outside the content of other core courses. Subject announced in the Schedule of Classes. Conducted in Spanish.

    Prerequisites & Notes
    Spanish 260 and 270 or their equivalents.

  
  • SPA 361 - Civilization of Spain


    Instructors
    Kietrys, Sánchez-Sánchez, Vásquez, Willis

    Reading, discussion, visual representations, and student research on Spain’s social, economic, political, and religious life, and the fine arts. May follow a thematic or historical model. Conducted in Spanish.

    Prerequisites & Notes
    Spanish 270 or their equivalents.

  
  • SPA 369 - Hispanic Cultures - Independent Study


    Instructor
    Staff

    Independent study under the direction and supervision of a faculty member who approves the course content, and the research project, and determines the means of evaluation.

    Prerequisites & Notes
    Spanish 260 and 270 or their equivalents.

  
  • SPA 374 - Caribbean Peoples, Ideas, and Arts


    Instructor
    Staff

    Literatures and arts, ideas, and socio-economic structures in the Caribbean islands and rimlands (Cuba, Dominican Republic, Puerto Rico, Venezuela, Colombia, and Central America). Conducted in Spanish.

    Prerequisites & Notes
    Spanish 260 and 270 or their equivalents. Satisfies the cultural diversity requirement.

  
  • SPA 375 - Latin American Women Writers


    Instructor
    Maiz-Peña

    An examination of genre, gender, and representation in women’s writing in Latin America from the 20th century to the present.  Latin American Women’s textual and visual narratives: Practices and Theoretical Frameworks. Conducted in Spanish.

    Prerequisites & Notes
    Spanish 260 and 270 or their equivalents. Satisfies the cultural diversity requirement.

  
  • SPA 393 - Advanced Language Seminar


    Instructor
    Staff

    (Summer in Spain Program) Advanced language and composition course. Students will take advantage of their immersion experience for their writing and discussion.

    Prerequisites & Notes
    Spanish 260 and concurrent enrollment in Spanish 394.

  
  • SPA 394 - Advanced Seminar in Spanish Cultures


    Instructor
    Staff

    (Summer in Spain Program) An advanced course in Spanish culture studied through film, literature, music, and periodicals with a focus on contemporary culture.

    Prerequisites & Notes
    Spanish 260 and concurrent enrollment in Spanish 393.

  
  • SPA 401-410 - Seminar on Special Topics


    Instructor
    Staff

    Research-oriented advanced seminar in an area of literature or culture outside the content of other core courses. Specific Topics for the advanced seminar vary each semester. A substantial final research project will be conducted.

    Prerequisites & Notes
    Any two literature or culture courses. Limited to Juniors and Seniors. (Fall and Spring)

  
  • SPA 429 - Independent Study


    Instructor
    Staff

    Special topics, themes, a genre, or a single figure in literature, history, or culture, outside the content of other courses under the direction and supervision of a faculty member who approves the topic(s), the research project, and determines the means of evaluation. Open to senior majors.

    Prerequisites & Notes
    Any two literature or culture courses, or approval of the chair and the instructor.

  
  • SPA 490 - Senior Seminar


    Instructor
    Staff

    Intensive seminar of theoretical, literary, and cultural texts. Research is centered around a theme which will vary each year. A substantial final research project will be conducted.

    Prerequisites & Notes
    Limited to Senior Spanish Majors. (Fall)

  
  • SPA 498, 499 - Senior Honors, Tutorial, and Thesis


    Instructor
    Staff

    Research for and writing of the honors thesis begins in Spanish 498 (in the spring of the junior year or the Fall of the senior year) and is completed in Spanish 499 during the last semester of the senior year. Spanish 498 requires a thesis outline, annotated bibliography, progress reports, and an introductory chapter. A presentation of the honor thesis project at the end of Spanish 498 is expected. Spanish 499 requires an oral examination by a committee of department professors on the completed honor thesis.


Theatre

  
  • DAN 101 - Introduction to Dance


    Instructor
    Bory

    This course provides an introduction to creative and analytical components to the art and artistic world of dance. Through lectures, readings, discussions, attendance at performances, and critical writing students will build a well-rounded, foundational understanding of the creative components and evolution of dance. Topics may include, but are not limited to, Dance History, Dance Theory, and Dance Appreciation. Satisfies the Fine Arts distribution requirement.

  
  • DAN 240 - Modern Dance Technique I


    Instructor
    Bory

    Developed in the late nineteenth and early twentieth century, Modern Dance allows both dancers and non-dancers to learn body movements for creative self-expression. This course provides an introduction to the basic principles and technical components involved in performing the Modern Dance Technique. Course work will include practice performance, readings, and some written work. Satisfies the Fine Arts distribution requirement.

  
  • DAN 340 - Modern Dance Technique II


    Instructor
    Bory

     

    Designed for students with prior dance training, this movement practice builds upon student awareness of the principles and techniques of modern dance. Emphasizing further development of personal skills and movement expressivity, course work will include studio practice, as well as readings, screenings and written work. Fine Arts Distribution Requirement.

    Prerequisites & Notes
    Prerequisite: Dance 240, or Permission of the Instructor.

  
  • THE 11 - Applied Theatre


    First-year students only.

    Prerequisites & Notes
    (Fall)

  
  • THE 12 - Applied Theatre


    First-year students only.

    Prerequisites & Notes
    (Spring)

  
  • THE 21 - Applied Theatre


    Second-year students only.

    Prerequisites & Notes
    (Fall)

  
  • THE 22 - Applied Theatre


    Second-year students only.

    Prerequisites & Notes
    (Spring)

  
  • THE 31 - Applied Theatre


    Third-year students only.

    Prerequisites & Notes
    (Fall)

  
  • THE 32 - Applied Theatre


    Third-year students only.

    Prerequisites & Notes
    (Spring)

  
  • THE 41 - Applied Theatre


    Fourth-year students only.

    Prerequisites & Notes
    (Fall)

  
  • THE 42 - Applied Theatre


    Fourth-year students only.

    Prerequisites & Notes
    (Spring)

  
  • THE 45 - Applied Theatre. Topics in Arts Management


    Fourth-year students only.

    Prerequisites & Notes
    (Fall)

  
  • THE 46 - Applied Theatre. Topics in Arts Management


    Fourth-year students only.

    Prerequisites & Notes
    (Spring)

  
  • THE 101 - Introduction to Theatre Arts


    Instructors
    Green, Sutch, Van Hallgren


    Course provides an introduction to the various creative elements of making theatre. Lectures, readings, discussions, videos, field trips, critical writing and laboratory work build understanding of the theatrical event and the fundamental components of stage production. 

    Prerequisites & Notes
    First-year students and sophomores only until 1st day of class.

     

  
  • THE 121 - Studio Theatre I


    Instructor
    Gardner

    Group study of theatre practices intended to expand the student’s knowledge of presentational modes. Ensemble exercises and improvisational work contribute to the development of a performance piece which is included in the studio theatre series.

    Prerequisites & Notes
    Meets for extra hours; please consult with the instructor.  (Spring)

  
  • THE 201 - Exercises in Playcrafting and Performance


    Instructor
    Gardner

    Examination and utilization of the creative elements of theatre stressing theory, script development, problem-solving, and critical analysis. Intended for the student with previous training or experience in theatre.

    Prerequisites & Notes
    (Fall)

  
  • THE 221 - Studio Theatre II


    Instructor
    Gardner

    Continuation of group studies and exercises from Theatre 121. Students in Theatre 221 have additional individual responsibilities in ensemble leadership, script development, and production supervision.

    Prerequisites & Notes
    THE 121 or permission of the instructor. Meets for extra hours; please consult with the instructor. (Spring)



  
  • THE 245 - Acting I


    Instructors 
    Costa, Green, Sutch, Van Hallgren, Staff

    Study and application of the psycho-physical and emotional bases of performance. Emphasis on relaxation of the actor’s body, ensemble improvisation, freeing the natural voice, acting on impulse. The training will culminate in realistic scene work.

  
  • THE 250 - Play Analysis for Production


    Instructors
    Beasley, Sutch

    Examination of traditional methods of play analysis and their application in the development of production plans for a wide variety of theatrical scripts.

  
  • THE 261 - Modern Drama (= ENG 261)


    Instructor
    Fox

    (Cross-listed as English 261.) European, American, and British drama from Ibsen to Pinter with emphasis on the major movements within Western theater: realism, naturalism, expressionism, Epic Theater, and Theater of the Absurd.

  
  • THE 285 - 20th Century World Theatre and Drama


    Instructor
    Green

    The course is a study of plays and theatrical theory from a range of geographic regions.  The course explores ways practitioners experimented with form and content in articulating their reactions to the human condition of the 20th century.

     

  
  • THE 295 - Independent Study


    Instructor
    Staff

    For the intermediate student with a special topic to be pursued under the direction and supervision of a faculty member. The topic of study must be reviewed and approved by the faculty member before permission is granted for enrollment. Normally, assigned work and criteria for evaluation will be clearly established by the instructor before the beginning of the semester and in all cases no later than the end of the Drop/Add period.

    Prerequisites & Notes
    Permission of the instructor required.

  
  • THE 335 - Fundamentals of Stage Design


    Instructor
    Gardner

    Introduction, through exercises and projects, to the principles of designing scenery, costumes, and lighting for the theatre. For application in projects, the course includes basic rendering techniques for designers, including instruction in computer drafting and rendering.






    Prerequisites & Notes
    Class includes a once a week lab.  (Fall)

  
  • THE 345 - Acting II


    Instructor
    Costa

    Study and application of the Stanislavsky acting process. Group and individual exercises designed to promote personalization and emotional fullness in characterization. Advanced techniques for scene and character analysis. Performances of scenes from classical realism, acting for the camera scenes, and Anton Chekhov’s plays.

    Prerequisites & Notes
    Theatre 245. Meets for extra hours; please consult with the instructor.  (Fall) 

  
  • THE 355 - Directing I


    Instructors
    Costa, Sutch

    Fundamentals of directing for the stage, focusing on text analysis, blocking principles, the director-actor relationship, the director-designer conceptual process and scene work.

    Prerequisites & Notes
    Theatre 245 (Fall)

  
  • THE 362 - Theatre and Social Change


    Instructor
    Green

    Course investigates the potential for theatre and performance to be catalysts for social change. Focusing on Community-Based Theatre, the course explores ways in which performance has participated in struggles against oppression and has been integral to community-building. Course combines case studies from various historical and geographical contexts with practical activities used by Community-Based Theatre practitioners.

    Prerequisites & Notes
    Meets for extra hours; please consult with the instructor.

  
  • THE 371 - World Theatre History


    Instructor 
    Green

    Study of the theory and practice of stage performance throughout the world from ancient Greece to the end of the 19th Century. Lectures, readings and discussions, with emphasis on the Western tradition.

    Prerequisites & Notes
    (Spring)

  
  • THE 380-385 - Special Topics in Theatre


    Instructor
    Staff

    Group study of selected theatre topics.

  
  • THE 381 - Advanced Acting Seminar


    Instructors
    Costa, Sutch

    Advanced acting seminar exploring a variety of dramatic forms.

    Prerequisites & Notes
    Theatre 245.

  
  • THE 386 - Voice and Movement for the Actor I


    Instructor
    Sutch

    Foundations of vocal technique and movement analysis for the actor.  Provides a working knowledge of anatomical and kinesiological principles pertinent to strong and healthy vocal production.

    Prerequisites & Notes
    Theatre 245. (Spring)

  
  • THE 390-398 - Independent Study


    Instructor
    Staff

    For the advanced student with a special topic to be pursued under the direction and supervision of a faculty member. The topic of study must be reviewed and approved by the faculty member before permission is granted for enrollment. Normally, assigned work and criteria for evaluation will be clearly established by the instructor before the beginning of the semester; in all cases this will occur before the end of the Drop/Add period.

    Prerequisites & Notes
    Permission of the instructor.

  
  • THE 391 - Independent Study - Advanced Acting


    Instructor
    Staff
    Topics normally involve role research, preparation and/or performance.

    Prerequisites & Notes
    Permission of the instructor required.

  
  • THE 392 - Independent Study - Advanced Directing


    Instructors
    Costa, Sutch

    Topics normally involve background research, script analysis, and prompt book preparation in support of directing a full length production.

    Prerequisites & Notes
    Permission of the instructor required.

  
  • THE 393 - Independent Study - Advanced Design


    Instructor
    Gardner

    Topics may concentrate on any area of theatre design, including scenery, lighting, costumes, makeup, properties or sound, and normally involve design exercises and projects.

    Prerequisites & Notes
    Permission of the instructor required.

  
  • THE 394 - Independent Study - Dramaturgy


    Instructor
    Staff

    Play analysis and interpretation in a performance-related context. Topics normally involve research in analytical methodologies as well as participation in production as an assistant to a faculty or guest director.

    Prerequisites & Notes
    Permission of the instructor required.

  
  • THE 395 - Independent Study - Stage Management


    Instructor
    Staff

    Advanced practicum in play preparation and oversight responsibility for mainstage or 2nd stage production, including rehearsal assistance, promptbook preparation, backstage communications and performance management.

    Prerequisites & Notes
    Permission of the instructor required.

  
  • THE 396 - Independent Study - Playwriting


    Instructor
    Staff

    Topics normally involve writing exercises and a fully-developed original play script.

    Prerequisites & Notes
    Permission of the instructor required.

 

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