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Sociology |
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SOC 329 - White Collar Crime Instructor
Ruth
Analysis of social, ethical, and legal aspects of white-collar crime, perspectives and theories on causation, and consequences of variable social reactions. Ways in which societies attempt to investigate, adjudicate, and regulate this evolving phenomenon.
Prerequisites & Notes Provides a distribution credit in the social sciences and major credit in Sociology.
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SOC 330 - Sociology of Education (=EDU 330) Instructor
Kelly
An introduction to the sociological study of education in the United States, including an examination of the school as an organization within a larger environment. Explores the link between schools and social stratification by analyzing the mutually generative functions of schools and considers how processes within schools can lead to different outcomes for stakeholders.
Prerequisites & Notes Provides a distribution credit in the social sciences. Counts toward the Education Concentration.
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SOC 340 - Education in African American Society (=EDU 340) Instructor
Kelly
This seminar explores the social and historical forces shaping the education of people of African descent in the United States from slavery to the 21st century. We will examine values, beliefs, and perspectives on education across gender and class lines, individual and group efforts toward building educational institutions and organizations, hidden or forgotten educational initiatives and programming, and cross-cultural projects to promote literacy and achievement in African-American society.
Prerequisites & Notes Provides a distribution credit in the social sciences. Counts toward thecultural diversity requirement, Education Concentration and Ethnic Studies Concentration.
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SOC 360 - Medical Sociology Instructor
Ruth
Sociological factors of health and illness, social organization of modern medicine, sociological analysis of the role and status of medical and paramedical personnel in this country, and the social differences in the acquisition of medical aid and in the reaction to medical treatment.
Prerequisites & Notes Provides a distribution credit in the social sciences. Counts toward the Medical Humanities Concentration.
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SOC 370 - Theory in Sociology Instructor
Marti
This course provides an introduction to the central issues in sociological theory. We will draw from both the “classical” period as well as the major “contemporary” developments of sociology through an examining major figures and ideas of sociological theory in their historical context.
Prerequisites & Notes Provides a distribution credit in the Social Sciences.
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SOC 372 - Feminist Theories Instructor
Taft
Introduces students to key concepts and debates within feminist social theory. Explores the significance of gender within social life, how gender is produced at the individual and institutional levels , as well as feminist conceptualizations of ‘the good society.’ Addresses key questions of social theory including the relationship between individuals and social structures, the construction of identities, and the meaning of power. Major credit in Sociology, Gender Studies Concentration, Social Science Distribution requirement.
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SOC 380 - Sociology of Hollywood Instructor
Marti
Hollywood is more than geography; it is a vibrant, international network of people producing entertainment for fame and profit. This seminar pursues a sociological analysis of the social space called “Hollywood”: its genesis, operation, and influence. The class begins with an exploration of the construction of Hollywood itself (e.g., geographic beginnings, the studio system, industry occupations, and financial realities) and then considers the broader effects of the entertainment industry on contemporary American society (e.g., relations with governmental and religious institutions, structures in film production and distribution, and the interrelationship of the entertainment industry and popular culture).
Prerequisites & Notes Not open to first year students.
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SOC 381 - Gender & Globalization Instructor
Taft
Explores the gendered effects of contemporary processes of globalization. Focusing primarily on women’s lives, we’ll look at how cultural, political, and economic globalizations are changing the landscape of gender relations. Students will become familiar with many of the current issues and debates in the transnational gender research, including the implications of economic development/modernization, neoliberalism, militarization, and population control agendas. Also examines work and labor, transnational families and care work, sexuality across borders, and struggles for human rights.
Prerequisites & Notes Not open to first year students.
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SOC 382 - Men and Masculinity Instructor
Kaufman
This course explores how masculinity is constructed and how men are affected by these constructions. We consider whether constructions of masculinity differ by important social characteristics, such as age, race/ethnicity, class, and sexual orientation. We also pay attention to the social context (e.g., schools, home, neighborhoods, workplaces, athletic venues) in which masculinity is created and maintained. We will address issues such as: the evolution of manhood; sexuality and adolescent masculinity; poverty, mobility, and black masculinity; street life and violence; fatherhood politics; masculinity and sports media.
Prerequisites & Notes Not open to first year students.
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SOC 385 - Youth Cultures and Subcultures Instructor
Taft
This seminar explores youth as both objects and subjects of cultural production, addressing the various ways that young people consume, produce, and live in their cultures. In addition to learning about the meaning and significance of historic and contemporary youth cultural formations and subcultural groups, students will conduct extensive independent research projects, practicing several different sociological methods including ethnographic observation, in-depth interviewing, and discourse and content analysis.
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SOC 388 - Fatherhood Instructor
Kaufman
This seminar focuses on the social, cultural, and historical study of fatherhood. We start by breaking down stereotypes of fathers from the past and using this to reconsider modern fathers. As we consider current American society (mainly), we start with young men’s procreative consciousness (ideas and awareness about conception, pregnancy, abortion, and potential fatherhood). We consider fathers as gendered beings asking questions such as, can men mother? We discuss the experiences of stay-at-home fathers, gay fathers, stepfathers, and single fathers. Finally, we consider fathers’ rights movements.
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SOC 390 - Qualitative Research Methods Instructor
Taft
This class provides students with training in qualitative field research methods, with an emphasis on participant observation and in-depth interviewing. Students will conduct their own semester-long empirical research projects, going through the entire process of research design, data collection, coding, analysis, and writing. Readings and class sessions will focus on both theoretical foundations and techniques of interpretive, qualitative research. One of the best ways to develop research skills is to get out there and try it, to reflect on the process as you go, and to talk about what is working and not working for you with a group of colleagues and peers. Therefore, students will have extensive opportunities to reflect on their own research practices, learning by doing.
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SOC 391 - Survey Methodology Instructor
Kaufman
This course introduces students to survey research methods. Sociology is based on empirical data. Sociologists are trained to collect data in order to answer questions. One of the most commonly used forms of data collection within sociology is the survey. In this course, students will gain experience in designing a survey, sampling, administering a survey, and analyzing survey data. Major credit in Sociology.
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SOC 395 or 495 - Independent Research in Sociology Instructor
Staff
Independent research under the direction of a faculty member who reviews and approves the topic(s) of the research and determines the means of evaluation. Students who are interested in writing a thesis should sign up for Soc 495.
Prerequisites & Notes Second, third, or fourth year standing, two courses in sociology, and permission of the instructor.
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SOC 420 - Issues in Contemporary Terrorism Instructor
Ruth
A seminar exploring a diverse array of issues in contemporary terrorism, beginning with the conceptualization and essential background of terrorism. Topical areas include the role of religion and ideology in domestic, international and ethnic terrorism; terrorism and the media; civil liberties and civil rights; counter-terrorism; policy, technology and the future of terrorism; homeland security and responding to the tragedy of September 11.
Prerequisites & Notes Third or fourth year standing and permission of the instructor.
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SOC 430 - Race and Religious Faith Instructor
Marti
The seminar focuses on the historic Black Church in America as well as religion and migration among non-native, ethnic congregations (whether church, temple, or mosque) in order to examine the relations between race-ethnicity, religion, and broader civic society today. The course also examines the rare achievement of multi-ethnic/multi-racial religious communities. The broader and complex effects of politics and globalization, economics and financial pressures, citizenship and public life, prejudice and discrimination, media and technology, innovations and social change will be discussed throughout the course.
Prerequisites & Notes Third or fourth year standing and permission of the instructor. Counts toward the cultural diversity requirement.
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South Asian Studies |
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SOU 310 - India: Past and Present Instructor
Staff
Specially designed lecture course dealing with Indian cultural traditions and their current expressions in Indian philosophy; art; religious movements; and political, social, and economic systems. Offered as part of the Semester-in-India program.
Prerequisites & Notes Offered as part of the Semester-in-India Program. Satisfies the cultural diversity requirement.
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SOU 354 - Issues in Contemporary India Instructor
Staff
Lectures and field trips focusing on some of the pressing problems faced by contemporary India and institutions which address those problems. Topics include the environment, the status of women, implications of the population explosion, economic conditions, and the political process.
Prerequisites & Notes Offered as part of the Semester-in-India program. Satisfies the cultural diversity requirement.
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SOU 385 - Public Health in India Instructor
Staff
A series of lectures on various aspects of public health in India delivered by scholars and medical professionals. Field trips relating to the lectures will be part of this course.
Prerequisites & Notes Offered as part of the Semester-in-India program. Satisfies the cultural diversity requirement.
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SOU 396-399 - Independent Study Instructor
Staff
Study under the supervision of the Program Director who approves the topic of study. Paper required.
Prerequisites & Notes Permission of the instructor is required.
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Spanish |
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SPA 101 - Elementary Spanish I Instructor
Staff
An introduction to speaking, understanding, reading, and writing Spanish. Requires attendance to Assistant Teacher sessions twice a week and online work through the Language Resource Center.
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SPA 102 - Elementary Spanish II Instructor
Staff
Development of further skills in speaking, understanding, reading and writing Spanish through a review of grammar and readings in the literature and culture of Spain and/or Latin America. Requires attendance to Assistant Teacher sessions twice a week and online work through the Language Resource Center.
Prerequisites & Notes Spanish 101 or its equivalent.
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SPA 201 - Intermediate Spanish Instructor
Staff
Extensive reading and discussion in Spanish of texts of moderate difficulty in the culture and literature of Spain, Latin America and US Latino literature; grammar study; extensive conversation practice. A combination among conversation sessions, online work through the Language Resource Center, and service learning may be required. Meets the degree requirement for proficiency in foreign language.
Prerequisites & Notes Spanish 102 or its equivalent.
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SPA 203 - Advanced Intermediate Spanish Abroad Instructor
Staff
(Summer in Spain Program) Extensive reading, writing, and discussion of Spanish texts, grammar study, and intensive conversation practice. Immersion course abroad meets the degree requirement for proficiency in foreign language at Davidson.
Prerequisites & Notes Spanish 102 or Spanish 103 and concurrent enrollment in Spanish 272.
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SPA 260 - Conversation and Composition Instructor
Staff
Writing-intensive course in Spanish. Training and practice to develop fluency, accuracy, and expressiveness in oral and written communication. Requires conversation session with an Assistant Teacher once a week. Strongly recommended for students planning to study abroad.
The department suggests that this course be taken before 270.
Prerequisites & Notes Spanish 201 or its equivalent. (Fall and Spring)
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SPA 270 - Introduction to Hispanic Literatures and Cultures Instructor
Staff
Reading and discussion of works by Spanish, Latino and Latin American writers. Introduction to cultural, historical, and textual analysis of Hispanic literature’s and cultures. Research papers in the target language. Conducted in Spanish.
Prerequisites & Notes Spanish 260 or its equivalent. Satisfies the cultural diversity requirement. (Fall and Spring)
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SPA 272 - Intermediate Seminar in Spanish Cultures (Summer in Spain) An introductory cultural course examining Spanish contemporary culture through film, literature, music, and other artistic modes of expression.
Prerequisites & Notes Spanish 102, or Spanish 103 and concurrent enrollment in Spanish 203.
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SPA 303 - Advanced Grammar, Translation and Composition Instructor
Staff
Writing-intensive course. Review, expansion, and fine-tuning of grammatical knowledge; building and use of a growing body of vocabulary and idiomatic expressions.
Prerequisites & Notes Spanish 260 or its equivalent.
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SPA 321 - Theater of Spain’s Golden Age Instructors
Sánchez-Sánchez, Willis
Development of 16th and 17th century Spanish theater, including works by Lope de Vega, Cervantes, Tirso de Molina, Ruiz de Alarcón, and Calderón de la Barca. Conducted in Spanish.
Prerequisites & Notes Spanish 260 and 270 or their equivalents.
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SPA 331 - Twentieth and Twenty-first Century Spain Instructors
Kietrys, Vásquez
Writers of the early decades, the Generation of 1927 and the Spanish Civil War, the Franco and democratic years, into the 1980s, 1990s, and the new century films. Study and analysis of socio-historical, ideological, and cultural contexts. Conducted in Spanish.
Prerequisites & Notes Spanish 260 and 270 or their equivalents.
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SPA 339 - Independent Study: Spanish Literature since 1700
Instructor
Staff
Independent study under the direction and supervision of a faculty member who approves the course content, and the research project, and determines the means of evaluation.
Prerequisites & Notes Spanish 260 and 270 or their equivalents.
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SPA 340 - Latin American Literature I Instructor
Boyer
Literature and the arts against a background of history and socio-political developments from 1492 to 1900, with a focus on major currents of thought and world views. Conducted in Spanish.
Prerequisites & Notes Spanish 260 and 270 or their equivalents. Satisfies the cultural diversity requirement. (Fall and Spring)
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SPA 341 - Latin American Literature II Instructors
Maiz-Peña, Peña
Ideas, aesthetics, and theoretical interpretations that have shaped Modern Latin American literatures and other cultural expressions from 1900 to the present. Conducted in Spanish.
Prerequisites & Notes Spanish 260 and 270 or their equivalents. Satisfies the cultural diversity requirement. (Spring)
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SPA 346 - Latin American Theatre Instructor
Staff
Study of the most important Latin American playwrights, plays and performances within the ideologies and aesthetics that have shaped contemporary Latin American theatre. Conducted in Spanish.
Prerequisites & Notes Spanish 260 and 270 or their equivalents. Satisfies the cultural diversity requirement.
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SPA 347 - Hispanic Theatre and Performance Instructor
Staff
The course expands the communicative, interpretive, and analytical Spanish language skills of the students by using the most recent studies about contemporary Hispanic theatre theories and practices. Conducted in Spanish.
Prerequisites & Notes Spanish 260 and 270 or their equivalents.
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SPA 350 - García Lorca and His Generation Instructor
Vásquez
Theatre, narrative, and poetry of García Lorca’s literary and intellectual generation in its pre-Civil War and exile years. Conducted in Spanish.
Prerequisites & Notes Spanish 260 and 270 or their equivalents.
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SPA 352 - Contemporary Latin American Cinema Instructor
Peña
Exploration of the cinema and film making traditions of Latin America since the 1950’s with specific attention to the aesthetic media, political debates, and histories of national film industries. Conducted in Spanish.
Prerequisites & Notes Spanish 260 or 270 or their equivalents. Satisfies the cultural diversity requirement.
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SPA 353 - Contemporary Spanish Film Instructor
Vásquez
Spanish film from the 1960s through the 1990s and into the new century, focusing on exiles from Republican Spain after the Spanish Civil War and on Spain’s national identity during the years of democracy until contemporary times. Conducted in Spanish.
Prerequisites & Notes Spanish 260 and 270 or their equivalents.
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SPA 361 - Civilization of Spain Instructors
Kietrys, Sánchez-Sánchez, Vásquez, Willis
Reading, discussion, visual representations, and student research on Spain’s social, economic, political, and religious life, and the fine arts. May follow a thematic or historical model. Conducted in Spanish.
Prerequisites & Notes Spanish 270 or their equivalents.
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SPA 369 - Hispanic Cultures - Independent Study Instructor
Staff
Independent study under the direction and supervision of a faculty member who approves the course content, and the research project, and determines the means of evaluation.
Prerequisites & Notes Spanish 260 and 270 or their equivalents.
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SPA 374 - Caribbean Peoples, Ideas, and Arts Instructor
Staff
Literatures and arts, ideas, and socio-economic structures in the Caribbean islands and rimlands (Cuba, Dominican Republic, Puerto Rico, Venezuela, Colombia, and Central America). Conducted in Spanish.
Prerequisites & Notes Spanish 260 and 270 or their equivalents. Satisfies the cultural diversity requirement.
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SPA 375 - Latin American Women Writers Instructor
Maiz-Peña
An examination of genre, gender, and representation in women’s writing in Latin America from the 20th century to the present. Latin American Women’s textual and visual narratives: Practices and Theoretical Frameworks. Conducted in Spanish.
Prerequisites & Notes Spanish 260 and 270 or their equivalents. Satisfies the cultural diversity requirement.
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SPA 394 - Advanced Seminar in Spanish Cultures Instructor
Staff
(Summer in Spain Program) An advanced course in Spanish culture studied through film, literature, music, and periodicals with a focus on contemporary culture.
Prerequisites & Notes Spanish 260 and concurrent enrollment in Spanish 393.
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SPA 429 - Independent Study Instructor
Staff
Special topics, themes, a genre, or a single figure in literature, history, or culture, outside the content of other courses under the direction and supervision of a faculty member who approves the topic(s), the research project, and determines the means of evaluation. Open to senior majors.
Prerequisites & Notes Any two literature or culture courses, or approval of the chair and the instructor.
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SPA 490 - Senior Seminar Instructor
Staff
Intensive seminar of theoretical, literary, and cultural texts. Research is centered around a theme which will vary each year. A substantial final research project will be conducted.
Prerequisites & Notes Limited to Senior Spanish Majors. (Fall)
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SPA 498, 499 - Senior Honors, Tutorial, and Thesis Instructor
Staff
Research for and writing of the honors thesis begins in Spanish 498 (in the spring of the junior year or the Fall of the senior year) and is completed in Spanish 499 during the last semester of the senior year. Spanish 498 requires a thesis outline, annotated bibliography, progress reports, and an introductory chapter. A presentation of the honor thesis project at the end of Spanish 498 is expected. Spanish 499 requires an oral examination by a committee of department professors on the completed honor thesis.
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Theatre |
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DAN 101 - Introduction to Dance Instructor BoryThis course provides an introduction to creative and analytical components to the art and artistic world of dance. Through lectures, readings, discussions, attendance at performances, and critical writing students will build a well-rounded, foundational understanding of the creative components and evolution of dance. Topics may include, but are not limited to, Dance History, Dance Theory, and Dance Appreciation. Satisfies the Fine Arts distribution requirement.
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DAN 240 - Modern Dance Technique I Instructor BoryDeveloped in the late nineteenth and early twentieth century, Modern Dance allows both dancers and non-dancers to learn body movements for creative self-expression. This course provides an introduction to the basic principles and technical components involved in performing the Modern Dance Technique. Course work will include practice performance, readings, and some written work. Satisfies the Fine Arts distribution requirement.
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DAN 340 - Modern Dance Technique II Instructor
Bory
Designed for students with prior dance training, this movement practice builds upon student awareness of the principles and techniques of modern dance. Emphasizing further development of personal skills and movement expressivity, course work will include studio practice, as well as readings, screenings and written work. Fine Arts Distribution Requirement.
Prerequisites & Notes Prerequisite: Dance 240, or Permission of the Instructor.
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THE 11 - Applied Theatre First-year students only.
Prerequisites & Notes (Fall)
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THE 12 - Applied Theatre First-year students only.
Prerequisites & Notes (Spring)
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THE 21 - Applied Theatre Second-year students only.
Prerequisites & Notes (Fall)
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THE 22 - Applied Theatre Second-year students only.
Prerequisites & Notes (Spring)
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THE 31 - Applied Theatre Third-year students only.
Prerequisites & Notes (Fall)
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THE 32 - Applied Theatre Third-year students only.
Prerequisites & Notes (Spring)
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THE 41 - Applied Theatre Fourth-year students only.
Prerequisites & Notes (Fall)
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THE 42 - Applied Theatre Fourth-year students only.
Prerequisites & Notes (Spring)
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THE 45 - Applied Theatre. Topics in Arts Management Fourth-year students only.
Prerequisites & Notes (Fall)
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THE 46 - Applied Theatre. Topics in Arts Management Fourth-year students only.
Prerequisites & Notes (Spring)
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THE 101 - Introduction to Theatre Arts Instructors
Green, Sutch, Van Hallgren
Course provides an introduction to the various creative elements of making theatre. Lectures, readings, discussions, videos, field trips, critical writing and laboratory work build understanding of the theatrical event and the fundamental components of stage production.
Prerequisites & Notes First-year students and sophomores only until 1st day of class.
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THE 121 - Studio Theatre I Instructor
Gardner
Group study of theatre practices intended to expand the student’s knowledge of presentational modes. Ensemble exercises and improvisational work contribute to the development of a performance piece which is included in the studio theatre series.
Prerequisites & Notes Meets for extra hours; please consult with the instructor. (Spring)
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THE 201 - Exercises in Playcrafting and Performance Instructor
Gardner
Examination and utilization of the creative elements of theatre stressing theory, script development, problem-solving, and critical analysis. Intended for the student with previous training or experience in theatre.
Prerequisites & Notes (Fall)
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THE 221 - Studio Theatre II Instructor
Gardner
Continuation of group studies and exercises from Theatre 121. Students in Theatre 221 have additional individual responsibilities in ensemble leadership, script development, and production supervision.
Prerequisites & Notes THE 121 or permission of the instructor. Meets for extra hours; please consult with the instructor. (Spring)
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THE 245 - Acting I Instructors
Costa, Green, Sutch, Van Hallgren, Staff
Study and application of the psycho-physical and emotional bases of performance. Emphasis on relaxation of the actor’s body, ensemble improvisation, freeing the natural voice, acting on impulse. The training will culminate in realistic scene work.
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THE 261 - Modern Drama (= ENG 261) Instructor
Fox
(Cross-listed as English 261.) European, American, and British drama from Ibsen to Pinter with emphasis on the major movements within Western theater: realism, naturalism, expressionism, Epic Theater, and Theater of the Absurd.
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THE 295 - Independent Study Instructor
Staff
For the intermediate student with a special topic to be pursued under the direction and supervision of a faculty member. The topic of study must be reviewed and approved by the faculty member before permission is granted for enrollment. Normally, assigned work and criteria for evaluation will be clearly established by the instructor before the beginning of the semester and in all cases no later than the end of the Drop/Add period.
Prerequisites & Notes Permission of the instructor required.
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THE 345 - Acting II Instructor
Costa
Study and application of the Stanislavsky acting process. Group and individual exercises designed to promote personalization and emotional fullness in characterization. Advanced techniques for scene and character analysis. Performances of scenes from classical realism, acting for the camera scenes, and Anton Chekhov’s plays.
Prerequisites & Notes Theatre 245. Meets for extra hours; please consult with the instructor. (Fall)
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THE 355 - Directing I Instructors
Costa, Sutch
Fundamentals of directing for the stage, focusing on text analysis, blocking principles, the director-actor relationship, the director-designer conceptual process and scene work.
Prerequisites & Notes Theatre 245 (Fall)
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THE 362 - Theatre and Social Change Instructor
Green
Course investigates the potential for theatre and performance to be catalysts for social change. Focusing on Community-Based Theatre, the course explores ways in which performance has participated in struggles against oppression and has been integral to community-building. Course combines case studies from various historical and geographical contexts with practical activities used by Community-Based Theatre practitioners.
Prerequisites & Notes Meets for extra hours; please consult with the instructor.
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THE 371 - World Theatre History Instructor
Green
Study of the theory and practice of stage performance throughout the world from ancient Greece to the end of the 19th Century. Lectures, readings and discussions, with emphasis on the Western tradition.
Prerequisites & Notes (Spring)
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THE 380-385 - Special Topics in Theatre Instructor
Staff
Group study of selected theatre topics.
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THE 390-398 - Independent Study Instructor
Staff
For the advanced student with a special topic to be pursued under the direction and supervision of a faculty member. The topic of study must be reviewed and approved by the faculty member before permission is granted for enrollment. Normally, assigned work and criteria for evaluation will be clearly established by the instructor before the beginning of the semester; in all cases this will occur before the end of the Drop/Add period.
Prerequisites & Notes Permission of the instructor.
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THE 391 - Independent Study - Advanced Acting Instructor
Staff
Topics normally involve role research, preparation and/or performance.
Prerequisites & Notes Permission of the instructor required.
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THE 392 - Independent Study - Advanced Directing Instructors
Costa, Sutch
Topics normally involve background research, script analysis, and prompt book preparation in support of directing a full length production.
Prerequisites & Notes Permission of the instructor required.
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THE 393 - Independent Study - Advanced Design Instructor
Gardner
Topics may concentrate on any area of theatre design, including scenery, lighting, costumes, makeup, properties or sound, and normally involve design exercises and projects.
Prerequisites & Notes Permission of the instructor required.
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THE 394 - Independent Study - Dramaturgy Instructor
Staff
Play analysis and interpretation in a performance-related context. Topics normally involve research in analytical methodologies as well as participation in production as an assistant to a faculty or guest director.
Prerequisites & Notes Permission of the instructor required.
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THE 395 - Independent Study - Stage Management Instructor
Staff
Advanced practicum in play preparation and oversight responsibility for mainstage or 2nd stage production, including rehearsal assistance, promptbook preparation, backstage communications and performance management.
Prerequisites & Notes Permission of the instructor required.
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THE 396 - Independent Study - Playwriting Instructor
Staff
Topics normally involve writing exercises and a fully-developed original play script.
Prerequisites & Notes Permission of the instructor required.
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